Water

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Test reflections in water

(LO2:)I created this quick animation test to explore how I could create that distorted reflection feel. Based on the painting below I wanted to create a free flowing and messy moving animation. I used my left hand to draw my character – I actually like the result and feel it’s a nice start to think about how I could create the reflections. I hope to continue explore different ways.

(LO1:) On this post I want to explore the different ways that water could be animated as well as how I am going to tackle this little obstacle.

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Sail Boats in Water – Egon Schiele (source)

(LO1:) Above is a painting by Egon Schiele that I currently have on my wall – I really love the mood and the colours of this piece , but what I like in particular are the reflections of the boat in the water.  These ‘wobbly’ lines give the illusion of movement and distortion of the reflection of the boats on the surface of the water. You can just imagine how it would move if it was animation.  I like how this painting has so much character and texture. It’s a nice idea to abstract water, which I hope I can experiment with.

monet

Claude Monet (1840-1926) Waterlilies

(LO1:)  Claude Monet is an expert at capturing water scenes like the famous Water Lily paintings above. There are a large variety to choose from but the paintings above are some of my favourites. I like how his paintings has such stillness, and the reflections of the sky play a large part in giving the picture a certain mood or feeling. The blue sky for instance (bottom middle) gives us that summer day feeling, bright and sunny whereas the picture on the far right – a sunset or sunrise has this fire like energy which is more romantic and gives us another feeling looking at it. The water is coloured by the different skies. This is another way i could approach my chalk stream – the sky reflecting on the water.

Related image

La Grenouillere – Claude Monet, 1869 (source)

(LO1:)  I also stumbled on this other painting by Claude Monet depicting a river. I really like how the water has been captured in this painting, I get the sense of clear moving water. The dark tones give another atmosphere of coldness of being in the shade. Paintings of water like this is calming and we imagine it alive. The way in which Monet paints is in an impressionist style, I like his thick brush stokes (such as the trees and water), the different colour and shade create this ‘mini waves’ of water.

(LO1:) I really like this piece of concept art from the making of Disney’s Pinocchio.  I love the long narrow image and the composition with Pinocchio at the bottom. We feel like we are falling down into the depths of the sea. I like the gradient scale, from lighter green to the dark green at the bottom with less sun light. It could be a nice idea for my own animation to in cooperate the surface light and the change of the bottom of the stream.

(LO1:) I like the movement on this water in this concept art. The ripples on the surface on the water and the stringy water on the rock. It’s interesting and useful to learn more about how to make the water feel so lively.

Ponyo (Water effects)

(LO1:) I watched the Studio Ghibli film, Ponyo (2008) as secondary research to observe how they animate their water. As this film is set next to the ocean and water is apart of most of the scenes. I really like this opening and ending of the film. The water is created with these fluid shapes and lines. It doesn’t have to be realistic but still have character and be believable.

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Ponyo (2008)

(LO1:) The shot above is a perfect example of how water can be achieved. This water is so clear (like chalk streams), the way they have created this water is with four elements: white reflections on the top of the water surface, black ripple lines, water splash and wobbly lines for the distortion.  I like how the legs and arms wobble, these small details make the water look more realistic and have depth.

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(LO1:) More wobbly-lined reflections as she steps into the water she disturbs the reflection and the ripples create a wobbly of them (top image). Shadows are scattered at the bottom of the water, creating the depth we see in the bottom picture. I like how the shark and Ponyo are semi-submerged and they are two separate colours.

(LO1:) I really love how juicy Ghibli creates there water. It is so realistic in it’s movement but the water always feels so full and juicy, filled with life they create this like above creating this 3-D ripple gives volume to the water and the shines.

The water in Ponyo (2008), can look very realistic, like in the GIFS above, but it also had a lot of creative and wild water. The water such as above, is shapely and free flowing. It has a lot of character and fluid movement that is completely unrealistic. At times the sea has turned into giant water fish, had eyes and moved like string. It’s nice to see how I could also be creative, being free to think what is the most effective way to show the water.

More water in animation

(LO1:) In this shot of Quest for Camelot (1998) the lead character’s age change through every ripple of the water. This happens as the image is distorted. It’s a clever use of the water and shows how the ripple disrupts a reflection.

(LO1:) I like this scene in the Little Mermaid II (2000) where Melody swims over the still water and we have this wonderful reflection of the cloudy day which is only disrupted by her own arms swimming.  The ripples distort but do not ruin the sky.

(LO1:) Sometimes animating water doesn’t need to be complex, just a simple ripple can give that illusion of water. In the above shot a gradient watercolour illustrates the surface of the water – still water doesn’t need to have too much animation and the ripple brings life to the scene. Two colours are used to create the ripple, white (light) and a dark grey (shadow) – it’s animated smoothly across the scene, simple but effective.

(LO1:) The water in this scene is more lively and has more movement. The ripples are in  white and move with the tide back and forth. The water is also clear so we can see the man in the water, he is just tinted a darker colour. I want to understand exactly the way they create these shots – even if this is too difficult for me to create, learning about the process has helped to understand this.

(LO1:) This water is satisfyingly clear. As I am also trying to create clear waters, I thought that I must include this GIF above. The water is so clear that we see every detail of the objects below. The leaf is a good way of creating that idea of a flowing stream. And the small lines and splash at the bottom of the water fall also add to this illusion. Everything else in the scene is still apart from the water which brings the picture to life!

Science behind Water

https://www.khanacademy.org/science/physics/geometric-optics/reflection-refraction/v/refraction-in-water

https://gerrybsite.wordpress.com/tag/underwater/

Animatic

(LO2:) This is my final animatic, I used the images from my storyboard to save time, I had to spend time redesigning the story over Easter, and I needed to start animating soon. Therefore I used my storyboard. I am happy with my final story as it has less action than my first draft. It’s slow paced – we immediately meet the character – without time to see the surroundings. I did this on purpose so we are as disorientated as the character. We meet our character who will drive the rest of this short story. (L05:) I received feedback from Dan on this animatic he mentioned that some of the shots were flat and could use more depth. I have explore alternatives for a few of the first shots.

 

(LO2:) This is my second draft animatic. It was very rough hand drawn pictures that I scanned in to play about with and explore different layouts / placement for this story. This is just an animatic showing the story moments and initial ideas. I will now move on to creating the final animatic.

(LO2:) After creating my many thumbnails I decided to choose my favourite moments or favourite ideas and create a rough draft animatic – this animatic has been created with these thumbnails. I normally always create a rough animatic this way – by first pinning down the story moments and seeing if they work – and especially in this case, if they work with the music I will then move onto finalizing the shots and etc.

(L06:) However, after presenting this rough animatic during formative and gaining feedback from Dan about that there doesn’t need to be so much action – or a backstory at the beginning. I already agreed with this, I feel that currently there is not as much time to explore the character, particularly at the end when she shrinks. There is no time to take in how she acts. I will have to re-think this story.

Concept Research – Chalk Streams

My story is based loosely on The Water babies and focuses around a girl that has shrunk in the ‘magical waters’. On doing research into the streams of England, I decided to set my story on the chalk streams found throughout England.

English Chalkstreams: Research

(LO1:) Above is a map which shows where in England these chalk streams can be found. As I am located in Kent I hope to set the story here – I hope to visit local chalk streams to gain more research. England is a big part of my inspiration and I hope to carry it through into my animation.

14(L01:) I created this spider diagram above, of the different plants and wildlife that are found in the chalk streams. The most common species found around or in the water are the: Damselfly, desmoulin whorl snail, white-clawed crayfish, trout and for the plants: starwort, watercrowfoot, water cress and water parsnip. However, there are many, many more which live in the fresh clear waters. For me, I personally enjoyed learning and researching into the chalk streams, as it gave me inspiration and ideas for my narrative – and let me gain more knowledge on a new topic.

plants(LO1:) I created this moodboard to get a closer look at some of these aquatic plants that grow in or near chalk streams. The creation of this moodboard was helpful to look at plants I could include in my environmental designs. The range of different plants is incredible and shows the magic of the water (what I am trying to capture.)

wildlife moodboard(LO1:)I made this second moodboard to gather some images of the wildlife living in the chalk streams. It was a nice way to compare and explore the possible characters that I could include within my own animation. In addition, how each of these animals could possibly act. Are they kind, angry, optimistic, rude or shy? I’d like to think about all of these elements when if I pick any of these creatures in my work.

Collected (sourced) Photographs of  Chalk Streams

(LO1:) The following images I collected because they were inspiring or captured something that I liked of the chalk stream. I hope to in return be able to capture elements of some of these pictures in my animation.

 

(LO1:) I like this thick plant that sits underneath the clear water is large sections. The vibrant green and the texture are appealing.

River Test, Brown Trout, Chalkstream Fishing, Aardvark McLeod

clear waters (source)

(LO1:) What I like about this photograph is that we can see how crystal clear the water is. The fish appears so clear underneath – it feels as though their is no water. I like the green carpet of foliage underneath – so bright and pretty.

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Brown Trout (source)

(LO1:) The brown trout are a common fish that live in the chalk streams. This photograph shows the beauty of the scales and skin of this fish.

(LO1:)I like how this picture is semi-submerged and we have both the top of the water and the glorious underwater. The colours underneath are so rich and bright. I especially love the little damselfly that is sitting on top unaware of the depths that this picture captures.

Split level landscape shot of water crowfoot ranunculus fluitan on a sunny day at the River Itchen, Hampshire, UK © Charlotte Sams / WWF-UK

Crowfoot – Charlotte Sams/WWF-UK

 

(LO1:) Crowfoot is a very common plant that lives within the water, it has green vine like stems that live at the top of the water, with fine brushes – on top are these pretty white flowers that feature. I like again this split between the surface so we can see the true glory of this plant.

(LO1:) Charlotte Sams a marine photographer (WWF/UK) captured these underwater images at one chalk stream and it’s incredible to see. It’s nice to see the rocks at the bottom and this wooden structure used by wildlife.

(LO1:) The small fish that live among the bottom of these plants nibbling at the Moss and dead leaves.

Underwater landscape capturing the reflections with water crowfoot flowers, ranunculus fluitans, at the River Itchen, Hampshire, UK © Charlotte Sams / WWF-UK

Charlotte Sams/ WWF-UK

(LO1:) The floor of this image is covered in this thick plant that is brushed by the current – creating a deep green environment. The reflection on the surface.

(LO1:) Another lovely photograph of the crowfeet from above the water – I like seeing the stems tangled underneath the water. My character could get caught among these plants (or hide from fish.)

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Chalk stream (source)

 

(LO1:) Lastly I love this wide shot of the entire stream, with the small house in the distance which gives depth this photograph. It feels as though the shot is cut into three sections, the sky, surface and underwater.

(LO1:) These diagrams above and below show where the different plants grow in the water. There are species that remain near the water’s edge, or in the shallows, then there are plants that grow completely underneath or rooted underneath and float (such as lily pads) then there are floating species that roots drape down – and algae which sits on top.  weeds(LO1:) Understanding how plants root is important for me to research, especially since I want my animation to be above and below the water, I will need to know what my character could encounter and what types of plants live where.

(LO1:) I’ve been researching native plants on plant selling sites with give alot of information on the species.

Style boards

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(LO1:) Here are three different mood boards I made from different artists. I like how organic they are and the rushed imperfect feel of them. They have character! I love how colourful they each are.

(LO2:) Aside from collecting the pieces of works that I admired above, I’ve researched into animated films that I have taken inspiration from for my own style for my animation. (LO1:) Song of the sea, and the Secret of Kells (Cartoon Saloon) have a unique style, they don’t shy away from creating flat on shots and distorting perspectives to create a 2D look – there staging and animation is stunning and this is what creates the illusion of depth and life.

This shot is very flat on, the house, floor, wall and even characters, however the use of negative space and this magnificent grey cloud bring depth and life to the shot.

I like how this shot has literally cut down straight below the earth to give a flat view of out characters – even though it’s flat the characters bring depth…

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Impact shots, incredible backgrounds that give power to the characters and creates such a mood.

I like the simplicity of the staging – they keep it simple.

Princess Kaguya

Related image

http://movfreak.blogspot.co.uk/2014/12/the-tale-of-princess-kaguya-2013.html

Another style that I like is the film Princess Kaguya, where the art is quite sketchy and loose.  The style has a great rawness, which expresses tons of personality with the strokes. I also like the watercolour feel which is very familiar to Japanese paintings, this  also helps to capture the folklore aspect of the film.  I like the texture of traditional mediums, I would like to look into traditional brushes in Photoshop.

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http://www.neogaf.com/forum/showthread.php?t=974960

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https://www.tumblr.com/tagged/princess-kaguya-gif

I like the way this scene has been animated, especially the quickness used. The roughness of the colouring is very effective,  how the colour bleeds past the lines. I would also like to make my animation to have this messy and loose appearance, as it adds alot more character. My lines are quite wobbly in my own drawing style, so incorporating this into my own work could give character like in this film.

Related image

http://nahtud-nagemata.blogspot.co.uk/2015/04/

In this shot the hands are not moving at all, the character is primarily driving the scene. The main focus is on the character, and I like that the hands don’t need to move for the scene to be successful. It is simple but effective.

Image result for the tale of princess kaguya gif

http://oh-totoro.com/post/108341867015/the-tale-of-the-princess-kaguya-directed-by-isao

I like the realism of the Ghibli films. The animation captures reality well, it is less exaggerated and focuses on simple, ordinary actions. The interaction with the pigs does not effect the plot in anyway, but creates an atmosphere. I hope to be able to capture these unnecessary details that bring life into animation.

In this shot we are looking through the grass and foliage into this intimate scene. The scene also emphasises on nature which is a crucial theme in the main characters lives. The characters are part of the nature. I like how the characters look small in comparison to the large blades of grass which surround them. I would like to do something similar as this in my own work to create an interesting foreground.

I have already explained that I like the sketchy feel of this film, and the free-flowing animation. The character moves with alot of spirit and fluidity, which is helped by the lines which are not clean – a free drawing style that is not restricted by being clean lined.

Image result for princess kaguya gif

http://rebloggy.com/post/gif-1k-film-movie-studio-ghibli-ghibli-isao-takahata-i-sobbed-the-tale-of-the-pr/124242671318

What I like about this shot is the simple animation, the hand only moves a little. It is slow-paced, beautiful scene. This shows the animation does not need to be full of action, but can be slow and graceful.

I like the pencil lines that are used for the outline, it has alot of texture, so when it animates the lines appear to be constantly moving.

Related image

http://imgur.com/gallery/F6XAL

Once again, I like the lack of movement in this shot. The animation is very simple, and yet the immense fear the character feels is very clear, and her expression dominates the scene. I like the watercolour appearance of the scene too. And we can see the outline moving give me more life to this shot.

Environment Studies

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(LO2:) Above are a selection of flowers that grow in water. I wanted to experiment with the design of the flower. How complicated and the shape. I decided to go with a rounder petal flower that will be used to protect the main character from the eel. I wanted the flower to look pathetic compared to the giant eel. Rounder shapes create a friendlier or safer feeling.

fishegg

(LO2:) Above is the final look of my tadpole eggs. In my previous research the eggs were a lot more 3-d looking however I like this flatter look, with a cluster of the eggs overlapping making the eggs look more crowded and squished together.

tadpole

(LO2:) This is a page of experimentation with the tadpole eggs – these eggs outer case is a clear jelly like sphere so I wanted to explore how I could create this look for my final animation. My favourite of this sheet is the top left corner – I used a natural brush that looks like a brush stroke. It has the feel and texture but and captures the different tones of the eggs.

shh

(LO2:) Above is a study I made from my primary research, I photographed a pond with lots of variety of lily pads and I wanted to explore and pick one that my character would be set on. This research actually helped me to understand how to draw water on the lily pad. I spent the day testing and experimenting what worked best. I don’t intend my animation to look so photo-realistic, this was a test for me to discover what worked.  I like the mixture of brushes I have used to five the lily pad roughness and depth.hjhj

(L02:) These lily pads are less realistic – I wanted to create a hand drawn look, so the shapes are not perfect and wobbly. I decided to use watercolour brushes and acrylic brushes to give them more texture and flaws. I really like the holes and rips in the lily pads as it gives that detail and charm. Playing with the colours, these lily pads have a variety of colours which I could easily in cooperate into my chosen colour script.

plants

(LO2:) These plants above are plants known to grow in or near a water. Understanding the details of my environment is important in creating this large world my character will be apart of. I wanted to research into plants that are found in chalk streams and play with how I could draw them. Drawing these plants let me experiment with how I can approach the style when I come to animate, and identify the brushes I use to create these sketches.  I am happy with the result, the original sketches were quite rough, however adding colour create depth and let me consider style. I don’t think that my backgrounds will be so detailed but it was a great way to understand a different approach.

Animal Character Designs

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(lo2:) I began designing my eel character by creating some pencil doodles from online references to learn about the anatomy and features of the eel. I also wanted to play around with the appearance and see how I could push the drawings and shapes of this character. They have such distinctive faces – above you can see the different experiments.

watereel

 

These are a selection of my favourite eel characters. The final character has a very emphasises the lower jaw which struck out to me in my research of the European eel.

  • inspirations
  • if I played with shapes
  • characteristics
  • improvements
  • don’t like
  • what was successful
  • how I will animate
  • look of it
  • struggles with it
  • in industry I would have to have still sheets##

 

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Primary Research (Outside studies)

Hall Place (Chalk Stream)

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(LO1:) At the start of this project I went to a local heritage site where a chalk stream runs through (Hall Place), on this day I went to draw the surroundings but ended up with lots of sketches and studies of the local wildlife, such as these geese and ducks. There were flocks of these wonderful birds and so we sketched out and understood these creatures. Above is a sketchbook page of this day, it was wonderful to begin drawing animals and understanding the different characteristics that they all possess. Animals move and act differently than humans and it was fascinating just to watch.

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(LO1:) Above is another sketchbook page that I sketched quick gesture drawings of the moving geese and some small thumbnails of the surroundings. It was lovely to get out and draw from life. It was a good idea generation day to see the different approach to coming up with a story, I didn’t know at the time but I would later set my story around a chalk stream – I first saw at Hall place.

Somerset stream

Lily pads and Tadpoles (Walmer Castle, Kent)

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Fishing in Kent

Primary research has helped me explore nature and understand more details tto inspire new ideas.